DEADHEAD

FEELIN’ IT: Variant Improvised Percussive Structures

An improvised percussion performance aboard Deadhead Sunday August 24th at 6pm.   Performers: Ursula Andrade, Carina Albrecht, Johan Björk, John Burgess, Patrick Beattie, John Brennan, Mitch Charron, Brady Cranfield, Carolyn Ehman, Julia Feyrer, Kate Henderson, Angelo Moroni, Rod Navarro, Laura Piasta, Tess Rafael, Samuel Roy-Bois, Pietro Sammarco, Jen Smyth, Sarah Van Borek, Jen Weih  

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Something Beautiful for the Sunset #3

An improvised performance aboard Deadhead at sundown August 28. Performers: Nick Anderson- trumpet and french horn, Ellen Marple- trombone and tuba, Cease Wyss- drum, Senaqwila Wyss- shakers              

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Something Beautiful for the Sunset #2

An improvised jazz performance aboard Deadhead at sundown August 7th. Karen Graves on saxophone Vince Mai on trumpet.            

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Something Beautiful for the Sunset #1

A performance aboard Deadhead by the Git Hayetsk Dancers at sundown July 17. Performers: Mike Dangeli, Mique’l Dangeli, Nick Dangeli, Eddy Benson, Duane Stewart, Zachary Tait             Led in partnership by Mike and Mique’l Dangeli, the Git Hayetsk are an internationally renowned West Coast First Nations mask-dancing group based in

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Tidal Predictions: Narvaez Bay

On the afternoon of July 17th Other Sights was honoured to host two performances of “Narvaez Bay: Tidal Predictions” a conceptual work by Mark 
Timmings, co-composed with Stephen Morris, performed by the Vancouver Chamber Choir under the direction of Jon Washburn aboard Deadhead. See Tidal Predictions: Narvaez Bay for more information about the piece.  

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Listening to Tidal Dynamics

Figure 1: In this comparative chart, the tidal heights for Narvaez Bay in 2012 are shown in blue against a vertical (metric) scale. The black line represents the phases of the moon from new (low) to full (high), and the red line, the sun, its zenith rising and falling over the year. One can follow

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Deadhead Opening June 15

photo credit: Karen Zalema  

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Coast Guard Encounter

A visit from the Coast Guard after Deadhead’s arrival in Heritage Harbour.   photo credits: Mike best essay writing website choose it Love

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Photographic Surface

In part, Deadhead is wrapped in a photographic print. It is a photograph of the cladding on the mid-century warehouse that sat behind the Bomford studio on Great Northern Way the summer of 2012.  

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